Eye in the Sky (2015) is the first feature-length film about drone warfare to have received a decent amount of mainstream attention. This no doubt has something to do with the high-caliber cast, including lead roles by Helen Mirren as Colonel Katherine Powell, and Alan Rickman as Lieutenant General Frank Benson. Big names imply big budgets. But there’s another reason why this movie, directed by Gavin Hood, has been discussed more than National Bird (2016), Good Kill (2015), Drone (2014), Drones (2013), Unmanned: America’s Drone Wars (2013), or Dirty Wars (2013).
None of these films is entertaining. Eye in the Sky, like some of the others in this growing genre, presents itself as a work of historical fiction, grounded in what is supposed to be a realistic portrayal of the contemporary practice of drone warfare against persons suspected of association with radical jihadist groups. But rather than condemning the remote-control killers, as the other films unequivocally do, Eye in the Sky portrays the protagonists wrestling with the complexities of morality before launching missiles and then congratulating one another on their success.
The “evil enemy” here, in Nairobi, Kenya, is Al Shabaab, and the fate of one of their cells is the subject of lengthy and sophistic “just war” debate among the drone warriors. A contingent of US and British military and civilian officials communicate with one another from different parts of the world over Skype-like video feed, and after arguing over the course of the workday, they ultimately decide to execute the suspects, who appear to be preparing to carry out a suicide attack in the proximate future or, as the drone warriors would say, “imminently”.
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